same same

same same
Nokyoung Xayasane

His hands tighten around her throat. Some people you just had to embrace, had to bite into their flesh, otherwise they walking down the street, would begin to wave and then suddenly leap across a fence—and be gone for days, weeks, months. She had read that somewhere. From a book Theo had given her. Some people you just had to grasp them by their neck, softly and then tightening like a vice to feel their life, feel their blood pumping, to feel they existed. That you existed.

The sun outside punches through the clouds and drapes over the floorboards, the smell of musk, sweat, and fever dreams. Dust motes ride along the stream of open light.

“Did you mind that?” says Adam.

“No,” says Sam. 

She doesn’t want him to know he had surprised her. She doesn’t want him to feel satisfied, that any part of him had gotten the best of her. 

Except for the streaming light, the rest of his room is in shadow. Like a tomb beckoning towards a hidden oasis. She imagines the cold walls and hieroglyphics carved into its inner chambers, a desert outside. She lies beside him, not wishing to escape and wishing she was walking along the main strip, watching the clouds above, breathing fresh summer air. She inhales the musky, stifled air, inside this protective womb.

“I liked what you did earlier,” he says. 

She sighs. “And what was that?” 

She can feel him smiling although his face is in shadow. She imagines the corners of his eyes crinkling. What a beautiful face. What a disgustingly beautiful face. She had awoken to his soft cries and had straddled him. He had been asleep and awoke as she guided him into her. He clutched at her like a drowning man. The world, a wide, wide, open sea. 

She sighs and turns her face to the side, towards the light outside.

“What are your plans for today?”

Without her knowledge, she feels a soreness in her stomach as if she has eaten something terrible but is still surprised that it’s making her sick. When he had called her the night before, she had felt revulsion and deep desire. Some people turned away from that, but she decided that night she would run towards it. She would silence the feeling in her churning gut and move towards him. Is it strange that she always sees him in shadow? Just the soft outline of his face and body, a smile in the dark.

“Not sure. What about you?” 

She feels a deep embarrassment for wanting to stay with him. Hadn’t she said to her friend Laura that if he was sleeping with someone else she wouldn’t care? There was a line that she told herself she wouldn’t cross. She was learning what it meant, what it cost to be with someone she didn’t respect. It felt like a betrayal to the body and she kept on betraying it, over and over again.

He gets up from the bed. She watches him pull his pants on.

“Maybe I’ll go outside for a bit. Go for a walk.” 

They had gone for a walk before. He would make the effort to walk on the side nearest the road, between her and traffic. But who will protect me from you, she had thought. Outside the sound of the church bells chime. She counts eleven chimes. Her fingertips tapping gently with each ring.

“I understand, you know,” he says.

“What?”

“You need me to play the villain.”

“And you’re so good at it, too.”

“Do you see anything good in me?” 

He turns his face away and pulls on his shirt. His beautiful face obstructed by fabric and sweat. 

She pulls the sleeping bag up around her. “You’re very … tall.” 

She smiles and he chuckles softly. 

“Are we walking or not?”

“Sure,” she says.

The first time they had slept together, she had left the bar with him, determined to get this over with—this sex without feeling. He had asked her out to brunch in the late afternoon after they had woken up. In order to protect herself she had asked his two roommates to come along. One of them was also named Adam and the other was named Evan. How three totally different people came to live together she never knew at the time, but found out years later as her and Evan stayed in touch. It seemed like an illogical train of events—like how she found herself here, with him.

She had been surprised that their first time having sex lacked the passion and grasping neediness of their first time lying in his bed together. That first time they had clutched at each other, mouth on skin, teeth against rock, flesh flowing against a river. But this time it was a production she had orchestrated, intentional, and she learned she was a terrible director and was oblivious to the characters’ motivations and desires. What were the stakes? The screenwriter hadn’t gotten that far yet and was more enamoured with the beautiful scenery.

She pulled her summer dress over her head and bent over to put on a fresh pair of panties. She had been prepared the night before and had folded them into her purse—just in case. 

They turned down a path near his apartment. The church stood in the distance. She had gone to five churches with Alex to see which one would let them get married there. Strangely some churches were very selective. They weren’t seeking money—just your salvation with them at the helm. Alex and her had mandatory pre-marriage counselling sessions and their two biggest arguments had been her unwillingness to change her last name and her insistence on owning a cat. 

What hadn’t been brought up was if she really wanted to get married and if she did, was it to him? Now here she is, walking beside a tall, tall man with a face that could make you weep. His arms swing gently as he walks and she feels that old revulsion and desire play throughout her body. Was it fair to be this beautiful and this brutish?

But she doesn’t find him funny like with Theo. She thinks maybe he isn’t funny because he never had to be. When he claimed someone as his, for however long, you were pulled in as if attached to a fishing line and his desire became yours. Desire through osmosis. 

Like Theo had said to her, “It was … inevitable.” He wasn’t usually one for declarations and she laughs at it now, but at the time she had thought it was profound and conclusive evidence of why Theo and her were drawn to each other like two magnets of different polarity, sweeping towards each other, wreckage all around them. Mostly her wreckage and her sacrifice. He seemed like a surprised child that looks around at the mess he helped create and feigns innocence. But she had already forgiven him. Sometimes love is like that. 

He had told her, “No, we couldn’t go to the movies like this again. You’d be married.” As if being married was the end of friendship tinged with something unnameable. She closes her eyes briefly and watches the orange and yellow light behind her eyelids. She sees Theo as a child opening a present, his face alight, a ball of pure light. She opens them and keeps pace with Adam. Some people you just had to embrace.

Notes on a partnership

Notes on a partnership
Nokyoung Xayasane

I write down notes
for my novel
and you jot down scenes
for your screenplay
while sitting in a cafe.
I prefer the quiet of the house,
the occasional sound of
the air conditioner turning on.

There’s no talk
between us
of what we’re writing.
No shop talk.
A silent demarcation
between Church and State.
We discuss feeding schedules
for our cat, a new duvet cover,
and if our friends are happy
or alcoholics or somewhere
in between.
Will they find love
or will they find purpose,
a new job,
a baby on the way.

Two writers in one household.
Both alike in temperance.
Afterwards, I’m usually
the first to apologize.
Your face softens with relief,
our laughter ringing out.

I walk from the living room
to the balcony
gazing gently over greenery.
I see you down on the street
walking briskly,
your stride recognizable to me
from any distance.
I see you as someone separate
from me, a person
making their way to the cafe
and my heart swells.
With what?
Something I can’t name.
Is it love or a thought
half remembered, a profound truth
hidden and waiting.
Is it a memory
of loneliness,
a memory of a time before you
of frenzied typing
and staring into space,
a pain in the chest
or is it a vision
of a time after you,
arthritic hands
weaving a story
white hair blowing
from the air conditioning.

I’ll walk from the living room
and onto the balcony
look down onto the street
and remember a gait
I could recognize
anywhere.
I’ll remember
your atrocious handwriting
and your look
that says, I understand.
I’ll remember
our laughter
ringing out.

What do I do with all this love I have for you?

What do I do with all this love I have for you?
Nokyoung Xayasane

You’re standing in front of an open window, billowing curtains. The winter sun shining in and you turned to me, your back against the light. Stained glass window. Your back against the light. Reds and oranges and yellows and blues and greens, playing across the curtains and your face.

That evening, early morning actually, I awoke and found the indentation of your body in the bed beside me. For a moment I felt fear, a pinprick straight to the heart.

I found you standing beside the window again, the darkness before the rising sun, a dim world encased in the quiet pre-dawn sky. I was relieved to see you standing there, still there. I stood beside you and you turned to me.

“You can’t stop thinking about her.”

“I wish I could, but I can’t.” 

We’re no longer hiding from each other, we’re beyond that. I’m relieved to see you still here; I thought maybe the worst had happened—that you had done the worst to yourself. I can’t help myself and reach out for your hand to make sure you’re still there, alive and breathing, short tortured breaths like a wounded animal.

“You love her.”

“I wish I didn’t, but I do.”

You have so many wishes right now. Wishing you didn’t, wishing you could. A world of wishes. I’m still riding the wave of relief to see you safely beside me, my pain at the fringes of it, the foam of pain on this wave of relief, keeping me afloat.

“You want to be with her.”

“Yes,” you say simply. No more wishes—just a statement of fact. 

“What do I do with all this love I have for you?” I ask you.

“I’m sorry,” you say. The dark sky behind you. Your back against the darkness.

“You should leave before she wakes up.” Our daughter asleep in the other room. “If you don’t do it now, you’ll never do it.”

“I’m sorry,” you say again.

I see you now, walking away from the window, away from the house, down the road to our car, the headlights streak across the road. The headlights turn, casting beams of long light and then you’re gone. 

What do I do with all this love I have for you? I write these words to you across space and time, making my way back to you. I love you. Nothing and no one has changed that. 

You in technicolour, the white of the curtains, and moving shapes of colour across your face. 

Late Afternoons on Air

Late Afternoons on Air
Nokyoung Xayasane

Here she was, waiting for him. She tried to see herself as others would. A woman, sitting at the bar, nursing a mocktail enhanced by an egg-white substitute. The bartender said it was made of peas, a vegan alternative. The vegan part didn’t do that much for her but she wanted to taste something different, a different texture, whilst drinking her slightly less expensive mocktail—some type of texture or flavour, something, anything.

She had arrived an hour late because of transit and yet he still wasn’t here yet. Traffic, he had said in his text. It made her feel better that she hadn’t been on time, waiting here for him, the minutes ticking away until an hour had passed by. She too was living her own life, busy enough and not-well-planned enough, to be a full hour late, and yet he had surpassed her here, still. 

It was a trait he had. Did he swoop in and out? Or was that how she saw him? What are our ideas of people but mere fabrications, small slivers of who they really are, snapshots in time, solidified in glass, unchanging, unwavering even in the face of evidence to the contrary.

She sipped on her vegan mocktail and imagined sipping on warm tea brewed in his mom’s kitchen, from his mom’s teapot.

“Unfortunately,” he said, “I can’t find the teapot.”

“Hmmm,” she said. “If I were a teapot where would I be?”

“It’s not in the kitchen,” he said.

She thought for a moment. And then made her way to his mom’s bedroom. She grabbed the teapot from her bedside table. “Found it!”

She smiled. She had been so young. And now, a middle-aged woman with fleeting, moored memories from 16 years ago. Tea was the precursor before their podcast recording sessions. Edwin had come up with it for their university’s literary magazine. Co-hosts before everyone and their cousin had a podcast. At the time, it was new to her, almost nerdy, an old world, voices drifting on the air, unattached to bodies, ethereal. Little did she know, ephemeral would’ve been a better way to describe it. Short-lived, fleeting. But never gone.

They brewed the tea and brought it downstairs to the basement, into a room with a glassed door. His podcast station. She had never really participated in collaborative creative projects before. She was a poet who wrote solely on her own, for herself. Having someone read or hear her work seemed unimaginable, yet here she was, in their first podcast session, about to record her own voice. 

She smiles now at the way he helped her feel at ease like a good director would—just natural conversation to take her mind off the recording. You felt at ease in his presence, safe. He was the teacher at school who believed in you despite what everyone else thought. He saw you.

One time he had said she was rare.

“If there was a graph that represented people,” he said. “There would be a cluster here in the lower left half. That’s everyone. And one lone dot in the upper right. All by itself. That’s you.”

She had scrunched up her face, unable to believe but wanting to, wanting to believe.

“An outlier,” he said. “You’re an outlier.”

Someone calling her rare. Well, you could say that was the beginning, and she hadn’t even known. Like she said, she was young, she hardly knew anything about life.

After the recording session, they went into the basement living space, past his bedroom. Light from the late afternoon filled the room, long bands of orange lasering their way to the brown couch. She doesn’t remember why or how but he sat on the couch and she on the floor, probably she felt comfortable there. And she rested her head on her arms which lay across the couch. She sat almost at his feet. The imagery. She chuckles now. What did they talk about? It seemed—everything. He was someone who was curious about everything, but mostly the arts and philosophy. An academic, really. Who wanted to remain in the ivory tower. Although this would change soon enough. 

He would record his session later, and after their tea break, they would record the intro and outro. Later on, she would listen to that first podcast, over and over again. Her voice heavy with emotion as she read her poem. Their intro and outro, alive, like live wire. She felt like she needed to walk around her neighbourhood after that first listen, her voice on air, his voice on air, late afternoons on air. 

Whatever happened to them afterwards, they existed there, frozen in time, floating on sound, wavelengths encased in time, unchanging, the beginning of something. They were on the verge of something. What it was she couldn’t name. But she felt it. 

The door to the bar opened. The light of the late afternoon streamed in, bands of light across the mahogany of the bar.

He stepped in and scanned the room for her. An hour late. He raised his arms into the air, wingspan like a great bird, the initial movements before a great embrace—a gesture she loved. His smile, open mouthed and unabashed. She basked in his warm glow. She was sitting at his feet in his mom’s basement. “Something’s never change,” she whispered.

“What?” he asked, his arms still outstretched.

She walked towards him and entered his embrace, engulfed in his embrace. “Nothing,” she said.

every day

every day
Nokyoung Xayasane

not in exotic locales do I love you
but at home, I love you

I turn the leaf of a page and you’re playing video games, mute on
the couch sighs beside the humming air purifier, the daily air quality warnings
we check the weather app and it says moderate
so we sit on the balcony that will always overlook the park, a view untarnished

music plays nearby, acoustic guitar and falsetto tones
and the quiet sounds of the street, cars and trucks stopping and going, air brakes, and bird chatter

I write poems in my Notes app about here and now and not there and the past
about where we are and not where we’ve been
Maybe I think about where we’ll go but not seriously and only languidly only barely

The long weekend beckons and
I say to you, It’s you; you’re the one
I say it in earnest and not as a joke, something new and pure
The long weekend and this long life
made short and fleeting
unrolling like a map where I close my eyes and place my fingertip down
Here, right here
I open my eyes to see where my finger has landed and
it’s where I’m supposed to be

I love you
the quiet, everyday of you
the quiet everyday of you
I love you

Are you happy?

it is like this with love_black and white

Are you happy?
Nokyoung Xayasane

I have these dreams still —
two years later.
You are pushing a pram,
inside
are four small babies,
stacked
one on top
of each other.

I wanted to know
if you were happy.
You seemed happy,
pushing that pram
along the roadside.
Where was he?
I wondered.

Are you happy, I asked him.
I’m happy, he said.

In another dream,
the two of you
were at a wedding.
You were laughing,
and he was brushing
a lock of hair
from your face.
All our friends were there.
Everyone was happy.
The only difference
was you and me.

Once, I stood there
in your place.
I was laughing
and he was brushing
the hair from my face.
Our friends
were all around us.
Everyone was happy.

Are you happy, I ask you.
You push the pram away
down the roadside.
In the distance,
I see him.
He is waiting for you.
I wait for you
to look back.
I am standing there,
waiting.

the adventurer

middle_distance

On Saturdays
Nokyoung Xayasane

Saturdays
are the hardest.
The weekend, in fact,
is difficult all around.

On Saturdays,
I would wake up early
and you would sleep in
until 10 or 11 or
whenever I would remember
to wake you.

We would go out for sushi
to the same place in
the same area,
Baldwin Village.
You always liked it there.
My adventurer
who went
to the same places to eat,
who would wave to me
from the window of my car
on his way home
every weekend,
on his way back
to the same city
to the same people
he’s always known.

What is it like
to live in the past?
Everything is laid out
like a delicate row
of maki, sashimi, nigiri.
The chopsticks
are neatly placed
at the side
of your small plate,
the soy sauce and
wasabi and ginger
within reach.

When it was over
between us
we made our way to the subway
and you asked me
if the subway was running.
I thought it was a curious
question but I realized
you were coming from
our old neighbourhood,
from her place,
near our old place.

I looked at you
and said,
You moved out
of that neighbourhood,
but you’re still going back.
My adventurer
on a Saturday afternoon
in Baldwin Village.

Now on Saturdays,
I go for a long walk
in the brightness
of the afternoon sun,
and somehow
I end up at
a sushi restaurant.
I eat my fill,
to fill my memory
of you and us.
The weekend
stretches out
in front of me
like a lifetime
of Saturdays
in Baldwin Village.

I would like to

queen_of_disaster

childhood bedroom
Nokyoung Xayasane

I would like to enter
your childhood home
enter your old bedroom
and sit on your lap
with your mom in the other room
I tell you I’ll be quiet
but I lie
though not on purpose

I would like to lay
everything before you,
go on my knees
in front of you,
kneeling before you

I would like to straddle
that line
with you
walk that line
with you,
skip back and forth
on that line
for you
at your leisure

I would like to feel
the violence of you
the fast and hard
mindlessness
of you
the gripping flesh
of you

I would like to pitch
forward
with you
into pitch night
with you
emerge in holy
morning light
with you

I would like
that nothingness
with you,
a deep rest
with you

I would like for you
to turn to me
and say nothing
to me,
absolutely nothing
to me

mostly though
I would like to lie
next to you
in your
childhood bedroom

I would like for you
to get up
at last,
and I will hear
the patter
of soft soles
and the clinking
of china in the kitchen

mostly though
I would like for you
to return to me
and maybe
you will bring for me
a tall glass
of water

you finally choose me

perfect_slut

I am happy for you
Nokyoung Xayasane

I am fast asleep.
I try to wake up.

Someone knocks on my door.
No one’s home, I say.

I am half asleep,
thinking about you.

I have a dream
where I am happy for you.

In the dream, a miracle occurs:
you finally choose me.

I wake up without you.
You are still with her.

I am fast asleep.
We are together again.

no evidence of you


Nok_black_and_white

relic
Nokyoung Xayasane

I’m getting ready
to do the laundry.
I’m washing
the sheets.
The sheets are
stained
from Monday night
Tuesday morning.
There are these
relics around me.
There is a guitar
in the living room
that my ex gave me.
There is a lamp
on my bedside table
that a lover bought
for me once.
There are these
dried flowers
roses and white tulips
baby’s breath
hard twigs
and crispy leaves
tied with a white ribbon.
The tulips
were given to me
on a third date.
The roses
were handed to me
by a lovelorn man
on a street corner.
I tie them together
into a bundle
into a bow
on my little table
by my window
as if they are
one and the same.
They are.
They are
the relics of
hope and desire
and love and loss.
I look around
for relics of you.
There are no gifts
from you
no keepsakes
no evidence
no proof.
There once was
a bruise on my neck
on my chin
that I hid
with makeup.
I thought my date
at the time
would notice
but he did not.
He isn’t as
observant as you.
You are sharp
although
you pretend
to be dull.
You are wise
although
you pretend
to be foolish.
Why is there
no evidence of you?
I sit
in front of my mirror.
There you are.
You are unnoticed
and you are
present.
I get up
and stuff
the comforter
back into its casing.
White fluff
twirls and dances
in the open air
by my window
in the sunlight.
No evidence.
No evidence
of you
at all.